Edward Foleyart Instrument KONTAKT

FANTASTiC | 16 August 2017 | 4.27 GB

Bring your pictures alive with Foley Artist Performance! Edward is our virtual Foley Artist Instrument which supports the free Kontakt 5 Player. No need to own a full version of Kontakt to run this instrument! Edward brings real recorded and natural randomized Foley Artist footsteps to every audio production studio: offers high end quality and parameters to adjust distance and environment based on Kontakt engine.

35.600 SAMPLES
Edward includes 35.600 real recorded and lovely edited Foley Artist sounds. Recorded with state-of-the-art equipment in a professional environment @HD-Quality with 96.000 Hz and 24 Bit.

43 VARIATIONS
Great sounding Foley lives from its variation. Edward comes with 43 different combinations of shoes and surfaces to give you access instantly to the most needed arsenal on Footsteps.

11 MOVES
Sneaking, slow walk, walk and jog with specials like stomp land scuffs, stop and spin. All varieties mapped to a specified keyboard key for real time performance with left/right foot diversion.

MICROPHONE DISTANCE PARAMETER
Edwards flexibility originates from the unique arrangement of the microphones while recording. The user has the possibility to adjust the distance suitable to the situation.

PERFECT WITH EDV3RB
Footsteps have to suite the environment where the action is happening. Edward uses all EdV3rb Impulse-Responses inside the instrument. This is useful to archive your desired ambience and makes EdV3rb the perfekt AddOn.

SHOE TYPES
– Sneaker • Boot • Business • Heels •
– Slipper • Barefoot

SURFACE TYPES
– Asphalt • Carpet • Concrete •
– Diamond • Dirt • Grass • Dry Grass •
– Gravel • Hardwood • Leaves • Metal •
– Rocks • Timber

PERFORMANCES
– Creap • Slow Walk • Walk • Jog •
– Stomp • Land • Scuff • Scuff 2 • Stop •
– Spin

LOCK THE TYPE OF RANDOMIZATION
Improve your workflow with locking the start sample of a clip. Edward will play the performance always with the same set of samples. Use the fader to adjust the first sound.

ADJUSTABLE DELAY
Either way if you mix two or more instances of Edward together or you just want to delay the entire footsteps in your session, the delay fader can be a genius helping hand. Also if you like to play more people at once with your keyboard.

REQUIREMENTS
• EDWARD runs in Kontakt or Free Kontakt Player version 5.5.2 or higher
• Mac OS X 10.10, 10.11 or 10.12 (for latest update)
• Older Mac OS X 10.8.3, 10.9 can use Kontakt 5.5.2
• Windows 7 or higher
• At least 4 GB of RAM (6 GB recommended), and 5 GB of free drive space
• Unzip software like free WinZip
• Stable internet connection to download files and product activation required.

INFO/DEMO/BUY: http://mage.si/E29o
Edward Foleyart Instrument KONTAKT
http://beelink.in/33574/Edward-Foleyart-Instrument-KONTAKT.html

STL Tonality v1.02b WiN

Team R2R | April 30 2019 | 45 MB

PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

THE AWARD WINNING PLUG-IN SUITE BY HOWARD BENSON & MIKE PLOTNIKOFF – is an all-in-one guitar suite plugin developed exclusively from none other than Grammy Nominated Producer Howard Benson and Mike Plotnikoff’s signature guitar sounds.

PRESET’S INCLUDED:
– 25 x Howard Benson Presets
– 7 x Mike Plotnikoff Presets
– 13 x STL Tones Presets
– 7 x Ola Englund Presets

HAPPY GOLDENWEEK!

INFO/DEMO/BUY: http://mage.si/8ddE
STL Tonality v1.02b WiN-R2R
https://thuglink.com/get/gkyegZG7pV

Plate v1.0.4 WiN

Team R2R | April 30 2019 | 20 MB

PLATFORM : WiN64 – VST/AAX(MODiFiED)

Explore the deep and rich sound of plate reverb like never before with Plate, an advanced physically-modeled reverb. Plate employs realtime physical-modeling with up to 20,000 modes to achieve new levels of depth and detail, going well beyond the limitation of physical units. Take complete control over your plate’s material and dampening properties and explore a universe of reverb sounds from classics like the EMT140 and 240, and beyond.

Plate – Custom-Shop Electro-Mechanical Reverb:
– Advanced physically-modeled plate reverb with stunning sound quality.
– Fully-configurable mechanism goes beyond traditional hardware.
– Visual decay editor and expandable UI for efficient workflow.

Our goal was not to clone a specific hardware reverb, but we wanted to replicate the sound of many hardware reverbs and allow users to experiment with their physical characteristics, even designing their own. To reach this goal we’ve built an entire plate reverb system as a fully-parametric physical model. We approached it from the perspectives of both clinical science and musicality. Forming the models core on extensive mathematical research and then calibrating the results against detailed measurements made of an EMT140 and EMT240. With Plate we simulate every component of the sound: dimensions, material, input/output positioning, modulation and decay sculpting while staying within the general sonic territory allowed by physics. In doing so we’re able to create a near-endless array of authentic plate reverb sound.

Start with models of your favorite units and quickly change their physical attributes; adjust the type of metal to dramatically alter the decay; adjust the plate size and manually position the i/o to effect the transient shapes from metallic ‘chirped’ sounds to full and even bodied reverbs; adjust anisotropy to detune the sound; apply tension to alter the frequency response; modify the physical dampener, mechanical friction, air radiation and octave-band decay to perfectly sculpt your reverb; boost your signal with a preamp saturation stage, add predelay, and then easily tame problem frequencies and position your sound with octave-band and lowcut filters. Adventurous users can dive straight-in and create any number of unique reverb configurations from scratch, yielding exceptional creative potential for sound designers.

HAPPY GOLDENWEEK!

INFO/DEMO/BUY: http://mage.si/qah8
Plate v1.0.4 WiN-R2R
http://beelink.in/38415/UVI-Plate-v1.0.4-WiN-R2R.html

Real Outdoor Footsteps KONTAKT

P2P | 01.05.2019 | 1.12 GB

EFI Expansion I

Sometimes there are problems with mixing when the Foleystage is too present. Outdoor recordings are difficult, so we have recorded at up to 2500m altitude in very quiet places of the Sierra Nevada in Spain and the Alps in Switzerland.

This expansion package adds unique recordings from the quiet Sierra Nevada and the high mountains in the Alps to the versatile Edward Foleyart Instrument!
– 10.500 Samples – Recorded in the quiet surroundings of the Sierra Nevada and the Alps.
– 2 New Outdoor IRs – Real Outdoor Footsteps comes with two new outdoor Impulse Responses.
– 7 New Surfaces – Beside some new variants of existing surfaces there are 7 brand new!

A full version of the Edward Foleyart Instrument is required to use this product: https://majesy.com/samples-sounds/edward-foleyart-instrument-kontakt.html

INFO/DEMO/BUY: http://mage.si/mE1b
Real Outdoor Footsteps – EFI Expansion I KONTAKT
https://thuglink.com/get/AMdOv99L3q

Real Outdoor Footsteps KONTAKT

P2P | 01.05.2019 | 746 MB

EUS Expansion II

Sometimes there are problems with mixing when the Foleystage is too present. Outdoor recordings are difficult, so we have recorded at up to 2500m altitude in very quiet places of the Sierra Nevada in Spain and the Alps in Switzerland.

This expansion package adds unique recordings from the quiet Sierra Nevada and the high mountains in the Alps to the versatile Edward Ultimate SUITE instrument!
– 13.500 Samples – Recorded in the quiet surroundings of the Sierra Nevada and the Alps.
– 2 New Outdoor IRs – Real Outdoor Footsteps comes with two new outdoor Impulse Responses.
– 7 New Surfaces – Beside some new variants of existing surfaces there are 7 brand new!

A full version of Edward Ultimate SUITE is required to use this product: https://majesy.com/samples-sounds/edward-ultimate-suite-kontakt.html

INFO/DEMO/BUY: http://mage.si/YS0C
Real Outdoor Footsteps – EUS Expansion II KONTAKT
https://thuglink.com/get/D2rwRCzFeD

Barefoot & Sandals KONTAKT

P2P | 01.05.2019 | 811 MB

EUS Expansion I

This expansion pack adds Barefoot and Sandals as well as Sand, Leaves, Mud and Clean Concrete to the versatile Edward Ultimate SUITE instrument!

– 14.580 Samples – 14.580 additional Foley Artist sounds recorded with state-of-the-art equipment.
– 2 New Shoes – Barefoot & Sandals integrated direct into the GUI of Edward Ultimate SUITE.
– 4 New Surfaces – 4 new surfaces including clean concrete, sand, leaves and mud as new sweeteners.

A full version of Edward Ultimate SUITE is required to use this product: https://majesy.com/samples-sounds/edward-ultimate-suite-kontakt.html

INFO/DEMO/BUY: http://mage.si/Y584
Barefoot and Sandals – EUS Expansion I KONTAKT
https://thuglink.com/get/NpurLppH0M

Funk Festival Vol.1 WAV

FANTASTiC | 30 April 2019 | 312 MB

Bring on the funk! This is the new funk age, we are talking about that new hit making funk being brought to you by the likes of Bruno Mars, Pharrell, and more. But to have that funk you’ve got to have the live players that can kill it! We have them, and we brought them into the studio just to create this product. Additionally we produced them to insure that we gave you the most modern funk styles sweeping the charts right now! Funk Festival Vol. 1 features 5 massive separate construction kit ideas that all include keys, synths, live guitar, live drums, live bass, and live percussion. Included are the separate parts, but also you receive a full mix, music mix, tweaked lo-fi mixes, and of course the drums in the drum mix for your pleasure. Mix and match parts, chop them up, drop the loops into your productions to give them new life. Funk Festival Vol 1 contains 350MB of top notch content to choose from you can’t go wrong.

INFO/DEMO/BUY: http://mage.si/zmKV
Funk Festival Vol.1 WAV
https://thuglink.com/get/eiTDFwAp2l

SFX Vol.1 Exotic Samples 007 WAV

FANTASTiC | 30 April 2019 | 320 MB

We are proud to present to you Sfx vol. 1 – Exotic Samples 007! Sounds Effects are very important in underground music production.  And that’s why we have prepared a collection of 130 effects ready to use in your Techno, Tech House and Deep House tracks. 391MB of samples in wav format (44.1 kHz, 24-bit) in the style known from Exotic Refreshment releases and the biggest labels from the industry like Keinemusik, Mother Recordings, Diynamic Music, DIRTYBIRD, Hot Creations, Innervisions, Objektivity, Monaberry, Exploited, Material, Stil Vor Talent and many more…

Package contains:
• 130 x Sfx (format: WAV 44.1 kHz, 24-bit)
• unzipped: 391MB
• demo track
• coverart
• 100% copyright free

INFO/DEMO/BUY: http://mage.si/v2S7
SFX Vol.1 Exotic Samples 007 WAV
https://thuglink.com/get/fXv1IU83Eb

Low Brass KONTAKT WAV

P2P | 01.05.2019 | 3.62 GB

Recorded on the same stage as our flagship libraries Jaeger and Cerberus, the TALOS series is the next addition to our ever-expanding range of orchestral sample libraries. All TALOS libraries are about big ensemble sizes that can go from soft and subtle to earth-shatteringly epic. One of the main goals and challenges for the series was to create libraries that can go the full sonic range in a larger than life ensemble size but still retain all of their realism. We’ve ensured that the TALOS libraries not only blend perfectly with our other libraries (Jaeger, Cerberus, etc.) but truly sit well in a mix and enhance your writing experience. For Volume Two, we recorded a thunderous sounding 12 player low brass ensemble (4x Tubas, 4x Cimbassi, 4x Bass Trombones). The wide range of articulations gives you immense control over this low-end monster and allows you to unleash fury on your music.

KEY FEATURES:
– 12 player low brass ensemble: 4x Tubas, 4x Cimbassi, 4x Bass Trombones
– 4.83 GB installed
– 4 mic positions: Spot, Decca, Wide, Far PLUS 1 mix: Full Mix
– Sound design made from the original orchestral recordings
– Requires FULL VERSION OF KONTAKT 5.5.2+

Articulations:
Long articulations:
– Sustained (3 DYN, 1 RR)
– Sustained Flutter Tongue (3 DYN, 1 RR)

Short articulations:
– Marcato Long (3 DYN, 5 RR)
– Marcato Short (3 DYN, 5 RR)
– Staccato (3 DYN, 5 RR)
– Staccatissimo (3 DYN, 5 RR)
– Rip (1 DYN, 2 RR)
– Bend (1 DYN, 2 RR)
– Crescendo Long (1 DYN, 2 RR)
– Crescendo Short (1 DYN, 2 RR)
– Crescendo Long Flutter Tongue (1 DYN, 2 RR)
– Crescendo Short Flutter Tongue (1 DYN, 2 RR)

The traditional orchestral sections in Talos – Low Brass are complemented by an extensive and incredibly flexible sound design section. All of the sound design comes from the original orchestral recordings and it is really easy to create your own, customized sounds in very few steps.

Contents:
– Bends
– Drones
– Atonal Soundscapes
– Tonal Textures
– SFX

This time, all the tonal elements of the sound design library have been designed and rendered in multiple pitches, spanning a full octave, allowing for much more natural transposition.

INFO/DEMO/BUY: http://mage.si/93zC
Low Brass KONTAKT WAV
https://thuglink.com/get/Dg2I3Ii4Hj

Music Licensing for Films TUTORiAL

FANTASTiC | 01 May 2019 | 958 MB

What a Producer Should Know

HERE IS AN ABSOLUTE TRUTH IN FILMMAKING: THE BIGGER ARE YOUR HOPES, EXPECTATIONS AND AMBITIONS REGARDING YOUR FILM, THE MORE ATTENTION YOU MUST DEVOTE TO YOUR MUSIC LICENSING STRATEGY. Music is one of the most crucial elements in a film. Every film lover know this. However, for filmmakers, music can be the source of major headaches.

WHY?
Because the act of putting music on a film is not easy, fast, nor it is cheap. It can cost you lots of money and the decisions you must make can affect you and your film for years… and in ways you cannot foresee.

THIS COURSE MAKE IT ALL EASY TO UNDERSTAND.
MUSIC LICENSING FOR FILMS: WHAT A PRODUCER SHOULD KNOW will explain to you, the entire process of getting the music you want into your film. We are going to explain:
•What are the types of music rights.
•Who are all the parties involved in the process.
•What rights you should pay for.
•What options you have that can lower the costs of music rights.
•How the music ecosystem works.
•What elements can be negotiated.
•Who you should talk to.
•Who you should avoid talking to.
•What elements can influence the price of a license.
•How bad decisions can hurt your film (and your career).
•…And so much more.

This class will help you navigate the complex world of music licensing for films. If you are a producer, a director or a screenwriter – and you have a project – you know you will want to put music in your film, TV series, video games, web series or any other audiovisual content you may be working on. I will cover all the aspects, elements and steps you must understand and explain to you the whole process.

WHY YOU SHOULD TAKE THIS COURSE?
Because we both know you will be needing music on your film. Even if you are still writing your script, I KNOW YOU HAVE SONGS IN YOUR HEAD THAT YOU WANT ON THAT GREAT SCENE! Well, I will tell you exactly how you should proceed on this and many other cases.

LEARN ABOUT HOW THE MUSIC INDUSTRY INTERACTS WITH YOUR FILM.

INFO/DEMO/BUY: http://mage.si/Jran
Music Licensing for Films TUTORiAL
https://thuglink.com/get/EikpTnwlRW

Music Composition with the Piano TUTORiAL

FANTASTiC | 01 May 2019 | 7.96 GB

Unleash your composing & songwriting with tools to unblock the writing process and generate material at the piano with ease, whether you’re a beginner or intermediate at piano & music theory.

The course consists of four core elements:
•Piano technique, theory & arrangement.
•Fundamental & advanced harmony & music theory.
•Compositional techniques and strategies
•Piano chords, progressions and songwriting

What you will learn.
•Express yourself and your musical ideas fluently, at the keyboard and DAW
•Use extended music theory without reading a line of music
•Compose different styles of music; filmic, classical, jazz and mainstream through a fundamental understanding of harmony
•Build interesting chord progressions

INFO/DEMO/BUY: http://mage.si/0F64
Music Composition with the Piano TUTORiAL
https://thuglink.com/get/UMu9XjanWz

Analog Kick Drums WAV

FANTASTiC | 01 May 2019 | 195 MB

Analog Kick Drums? is a killer collection which have been expertly crafted from hardware drum machines and covers a wide range of styles such as: Techno, Tech House, Minimal or Dubstep.
Over 180 samples of massive kicks ready to drop on your project.

The Pack Contains:
LOOPS:
• 90 Kick Loops 125bpm
• 10 Top Loops 125bpm

ONE SHOTS:
• 90 Kicks
• 44.1 kHz 24-Bit Wav
• Key Labelled
• 100% Royalty Free
• BPM 125

INFO/DEMO/BUY: http://mage.si/Qq1h
Analog Kick Drums WAV
https://thuglink.com/get/rl3FgrJ8yq

Protector v2.20 WiN MAC

Team R2R | 01 May 2019 | WiN: 23.0 MB| OSX: 76.5 MB

PLATFORM : WiN32/64 – VST/VST3/AAX | MacOSX – AU/VST/VST3/AAX

Protector is a 0 dB stereo brickwall limiter with adjustable dynamics response. It will typically find its place on the master bus of your DAW to protect your audio output from overshoot, limit the general volume and improve the perceived loudness, thanks to a very transparent frequency response. Despite its very simple set of controls, it offers a wide range of sounds and it is also suitable as a track limiter for more creative effects such as distortion, pumping or heavy limiting. Its large colorful meters and its custom dynamics histogram provide premium visual feedback and make it the perfect tool to monitor and control the dynamics on your master buss. You can also check in real time the loudness boost obtained with the limiter.

Beyond its powerful dynamics processing features, and like most of our plug-ins, Blue Cat’s Protector also offers a powerful side chain capability thanks to its MIDI CC output. This unique technique not only lets you do side chain limiting but also parameters modulation: control any parameter of any plugin to create powerful side chain effects in real time.

Main Features:
– 0 dB brickwall peak limiter and waveshaper.
– Continuous control of the dynamics response from transparent limiting to colorful distortion.
– Stereo link control.
– DC Filter to get rid of DC offset.
– Large zoomable peak and RMS audio levels and gain reduction meters for optimal monitoring.
– Loudness boost monitoring.
– Fully configurable dynamics response histogram.
– Side chaining capability: a unique way to perform side chain compression and much more.
– No latency.

INFO/DEMO/BUY: http://mage.si/a93f
Protector v2.20 WiN MAC-R2R
http://beelink.in/11977/Protector-v2.20-WiN-MAC-R2R.html

ValhallaDelay v1.0.6.x WiN MAC

Team R2R | 01 May 2019 | OSX (v1.0.6.2): 2.7 MB | WiN (v1.0.6): 3.6 MB

(Win32/64; AU, AAX*, VST3, VST)

Set The Controls For The Heart Of The Sun

ValhallaDelay is our take on classic and modern delay and echo units. Tape echo, BBD, old-school digital, pitch shifting – we’ve got you covered. ValhallaDelay offers the classics, and expands them into new dimensions, with the unique Ratio and Quad delay styles, the Ghost mode (which adds frequency shifting), and a powerful diffusion section that can create anything from smeared echoes to ethereal reverbs.

ValhallaDelay has seven different delay Modes:
• Tape: Modeled after vintage tape echoes, with all the features and quirks that were loved in the old hardware.
• HiFi: A higher fidelity tape echo, where the ability to precisely sculpt the sound is in your hands.
• BBD: A dark, low fidelity bucket brigade delay model.
• Digital: A cleaner, higher bandwidth delay, with the ability to dial in digital dirt.
• Ghost: A Valhalla DSP original! Combines the tape model from the HiFi mode with frequency shifting and a unique diffusion algorithm, for sounds that will split your skull in two.
• Pitch: A digital delay with added pitch shifting. Perfect for micro-shifting vocals, adding harmonies to synths, creating vast shimmering soundscapes, or shrieking sounds that forever spiral upwards or downwards.
• RevPitch: Reverse pitch shifting! Everything that goes in, comes out reversed.

Five tape Styles, for controlling the number of delay voices:
• Single: Same delay length & modulation for left and right channels.
• Dual: Independent delay lengths for left and right channels.
• Ratio: The right channel is set to a ratio of the left channel, and the feedback of left and right channels is mixed. Perfect for sounds that slowly transition from delay to reverb-esque.
• PingPong: A delay that bounces between the left and right channels, with the ability to set the left and right delays independently.
• Quad: Models the multi-head tape echoes of the 1960s and 1970s, with up to 4 delay taps on tap.

Cool features:
• Delay lengths ranging from 0 msec to 20 seconds. Dial in choruses and flangers, slapback echoes, longer delays, or long Frippertronic loops.
• Sync the delay to the beat, with straight/dotted/triplet options. Or, control the length via milliseconds.
• Age control, for adjusting the artifacts of the delay mode. Clean and shiny, old and dusty, or anywhere in between.
• Powerful Diffusion section, that can be used to smooth out the attacks of delays, or can be an amazingly smooth and lush reverb in its own right. Up to 20 seconds of diffusion time possible!
• Era control, for selecting between different variants of the delay modes.

Current Version: 1.0.6:
– New behavior for Ping Pong Style. This new version sends the output of the left delay channel directly to the input of the right delay channel, without any feedback scaling. This results in a more balanced left/right signal at low feedback settings.

INFO/DEMO/BUY: http://mage.si/MEWM
ValhallaDelay v1.0.6.x WiN MAC-R2R
https://thuglink.com/get/T6PtG5G4Y1

PatchWork v2.3.1 WiN MAC

Team R2R | 01 May 2019 | WiN: 75.5 MB | OSX: 381.9 MB

PLATFORM : WiN32/64 – EXE/VST/VST3/AAX | MacOSX – APP/AU/VST/VST3/AAX

“The virtual patchbay for audio plug-ins”

PatchWork is a universal plug-ins patchbay that can host up to 64 VST plug-ins into any Digital Audio Workstation (DAW) in one instance. It is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below). Despite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack’s matrix.

For each plug-in slot, latency compensation, presets management, undo/redo integration, and individual plug-in bypass are included for optimal operation. The plug-in also stores the position of the window for each plug-in so that the layout is restored with your session or saved with presets.

The plug-in is available as an audio effect or a virtual instrument so that it can be inserted on any type of track, with up to 8 audio channels.

Input and output level meters are also included to monitor the signal that is dispatched to inserted plug-ins.

Main Features:

• Configurable VST, VST3 or Audio Unit plug-ins rack: host up to 64 third party plug-ins or instruments in series or parallel.
• Available as an effect, virtual instrument or standalone application.
• Build your own effects chains: up to 8 “pre” and “post” plug-ins slots to chain plug-ins in series.
• Parallel processing made easy: up to 8 parallel plug-ins chains, with phase flip, solo and gain controls.
• Host up to 8 virtual instruments in parallel and mix them within the plug-in.
• Global Dry/Wet control (“Mix”).
• Parameters Mapping: map sub plug-ins parameters to automate them or use a control surface.
• Flexible MIDI routing: connect sub plug-ins together or with the host application.
• Flexible Audio routing: connect sub plug-ins i/o to any audio channel.
• External side chain and multiple outputs support.
• Link pre and post gains for automatic gain compensation.
• Cut, Copy and paste plug-ins with their settings between slots.
• Recall complex processing setups and plug-ins layouts with one click and share them between your DAWs.
• Input and output levels monitoring.
• Plug-ins Latency compensation.
• Supports VST Shell plug-ins.
• Integrated undo/redo.
• Fully customizable user interface, with multiple sizes.

V2.31 (2018/12/06)
– Spectrum analysis is now performed in the background and does not affect audio performance (built-in EQ).
– Improved convolution performance for the impulse response loader on multicore processors (built-in EQ).
– Fixed modulation plug-ins that did not always properly set rate when used in host sync mode (sweep filter, flanger, tremolo).

INFO/DEMO/BUY: http://mage.si/hq06
PatchWork v2.3.1 WiN MAC-R2R
http://beelink.in/37745/PatchWork-v2.3.1-WiN-MAC-R2R.html

Destructor EXPLAiNED TUTORiAL

P2P | 14.10.2016 | 327 MB

Blue Cat Audio is ready to destroy the world in a great sounding way with their new Destructor plug-in. Learn all about this awesome sonic manipulator with your host Scottie Dugan in these in-depth video tutorials. After an introduction to the plug-in is and what it can do, Scottie shows you your way around the plug-in, followed by detailed explorations of the Filters, Destruction Modules, Shaper Curve and more. You’ll also get examples of Destructor being used on different instruments and more. See the individual tutorial descriptions below for more info. If you have Destructor and want to really understand it, or you’re thinking about getting it and want to see what it can do, watch “Blue Cat Audio Destructor Explained” today!

INFO/DEMO/BUY: http://mage.si/C5bm
Blue Cat Audio Destructor EXPLAiNED TUTORiAL
http://beelink.in/29319/Blue-Cat-Audio-Destructor-EXPLAiNED-TUTORiAL.html

Destructor v1.41 WiN MAC

Team R2R | 01 May 2019 | WiN: 41.7 MB | OSX: 195.2 MB

AU, AAX, RTAS, VST3, VST, x86, x64

Destructor is a powerful distortion and amp sim modeling tool capable of simulating any kind of distortion: from harsh digital destruction to smooth compression or guitar amp simulation (works for clean tones too.), and most importantly, yours. It is delivered with hundreds of presets and predefined models, either inspired by existing gear (guitar & bass amps or cabinets, compressors, pedals, tape machines…) or created by our destructive minds. But the plug-in is not limited to these predefined models: all parameters of existing presets are fully editable, which gives you access to an unlimited number of distortion simulations – no need to purchase extra presets or amp models to build your custom tone. Based on a perceptual model rather than on electronic designs or impulse responses, the signal chain is reduced to its bare minimum, simplifying the process of tweaking the tone and making it fit into the mix.

Main Features:
– Powerful distortion and amp modeling tool.
– Simulate any kind of distortion: analog or digital, guitar and bass amps, saturation, clipping, compression, bit crushing…
– Works for “clean” sounds too.
– Get started with several hundreds of fully editable presets, inspired by real gear.
– More than 1600 visual styles to customize the user experience.
– Control the dynamics with the input gate and compressor.
– Control the tone with the pre and post filters.
– Exclusive shape dynamics control: adapt the tone to the dynamics of the signal.
– Use the internal or external side chain to trigger the distortion.
– Protect your ears with the output brickwall limiter.
– Comprehensive visual feedback: real time spectrum analysis, dynamic distortion curve display with embedded signal histograms.
– Load reference curves for tone matching.
– No latency.

V1.41 (2018/12/06):
– Spectrum analysis is now performed in the background and does not affect audio performance.
– Improved convolution performance for the impulse response loader on multicore processors.

INFO/DEMO/BUY: http://mage.si/MrbF
Destructor v1.41 AAX AU RTAS VST3 VST x86 x64 WiN MAC-R2R
http://beelink.in/30952/Destructor-v1.41-WiN-MAC-R2R.html

Organ Pipe Music Boxes WAV

P2P | 02.05.2019 | 2.32 GB

Second part of the lovingly assembled Jacobi Collection. Organs of the 17th and 18th century! Everyone knows them but here are the originals!

93 SONGS
In 186 meta-tagged WAV files recorded with Neumann KMR184 and Schoeps CCM as Stereo X/Y and M/S.

11 ORGANS
From the Harmonipan, the Ignaz Brueder & Soehne, Astor, Empire to the french cabinet, everything is there!

17 -18TH CENTURY
Super rare instruments beautifully recorded. This collection charms and is unique worldwide!

Pipes included:
Harmonipan, German Drehorgel, Ignaz Brueder, Astor, British salon organ Empire – British float cabinet, french cabinet and more…

RECORDING EQUIPMENT
MICROPHONES:
– X/Y Stereo – 2 x Neumann KMR81 M/S Stereo – 1 x Schoeps CCM 4 , 1 x Schoeps CCM 8
PREAMP / RECORDER:
– 1 x Sounddevices MixPre-6

INFO/DEMO/BUY: http://mage.si/Qx5b
Organ Pipe Music Boxes WAV
https://thuglink.com/get/NxNZWdbCoU

CARS V8 WAV

P2P | 02.05.2019 | 9.51 GB

9 CARS worth of untamed, mind-blowing SFX

We present to you V8 CARS — the unleashed giant brother of “EVERYDAY CARS” and “CARS – SUVS AND VANS” as our third installment in the CARS series. The legendary sound of classics like the 1966 Chevrolet Chevelle, Ford Mustang, 1968 Plymouth Satellite and the sheer fury of a 750 horse-power Ford Shelby GT500, among others, are now available in astonishing definition and sublime detail.

CARS V8 – Onboard + Exterior
All onboard engine recordings include slow, medium, fast, steady and other sounds from the engine, exhaust and interior perspective. The exterior features approaches, turning corners, distant sounds, passes, reverses, starts and rev-ups. Additional sounds like handling, horns and more round off the package.

For Films, Games & Beyond
V8 CARS stands prepared to master any linear or interactive challenge that gets thrown your way as a sound designer. With the vast variety of sounds available, you will have the perfect audio to match at your disposal, whether authentic real-time engine ramps or heavily edited film scenes are on the table. Pay close attention to the changes in perspective in the announcement trailer.

V8 Cars:
– Buick Regal (1976)
– Chevrolet Chevelle Big Block (1966)
– Chevrolet Chevelle Small Block (1966)
– Chevrolet Express 1500 (1997)
– Dodge Durango (2007)
– Ford Galaxie XL (1968)
– Ford Mustang (1966)
– Ford Mustang Shelby GT500 (2007)
– Plymouth Satellite (1968)

INFO/DEMO/BUY: http://mage.si/dC6A
CARS V8 WAV
https://thuglink.com/get/i8PMfxpgV6

Horns KONTAKT

P2P | 02.05.2019 | 3.7 GB

Recorded on the same stage as our flagship libraries Jaeger and Cerberus, the TALOS series is the next addition to our ever-expanding range of orchestral sample libraries. All TALOS libraries are about big ensemble sizes that can go from soft and subtle to earth-shatteringly epic. One of the main goals and challenges for the series was to create libraries that can go the full sonic range in a larger than life ensemble size but still retain all of their realism. We’ve ensured that the TALOS libraries not only blend perfectly with our other libraries (Jaeger, Cerberus, etc.) but truly sit well in a mix and enhance your writing experience. For Volume One, we recorded a rich sounding 12 player horn ensemble. In addition to a wide range of standard articulations, we recorded real legato transitions, which in combination with our critically acclaimed legato script will allow you to play fantastically realistic melodic lines.

ARTICULATIONS:
Legato articulations:
– Legato (3 DYN, 1 RR)

Long articulations:
– Sustained (3 DYN, 1 RR)

Short articulations:
– Marcato Long (3 DYN, 5 RR)
– Marcato Short (3 DYN, 5 RR)
– Staccato (3 DYN, 5 RR)
– Staccatissimo (3 DYN, 5 RR)
– Rip (1 DYN, 2 RR)
– Bend (1 DYN, 2 RR)
– Double Tongue (1 DYN, 2 RR)
– Triple Tongue (1 DYN, 2 RR)
– Quadruple Tongue (1 DYN, 2 RR)

The traditional orchestral sections in Talos – Horns are complemented by an extensive and incredibly flexible sound design section. All of the sound design comes from the original orchestral recordings and it is really easy to create your own, customized sounds in very few steps.

Contents:
– Hard Braaams
– Soft Braaams
– Low Pads
– Tonal Atmos
– Atonal Atmos

Requires FULL VERSION OF KONTAKT 5.5.2+

INFO/DEMO/BUY: http://mage.si/5OJz
Horns KONTAKT
https://thuglink.com/get/1yHuNiQSuZ

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